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POET
OF LINES
How many narratives live in each architect's traits? Architecture tells us stories. Centuries of ideas perpetuate on every surface. Memories are expressed and immortalized in art. Architecture translates an era and a message to the world.
Dell Anno highlights its tribute to architecture. Raising questions of identity and purpose, the relationship between architecture and time, the transformation of spaces, the way in which we inhabit, interact and live. Works that formed civilizations are eternalized in monuments. Dell Anno redeems the architecture and pays tribute to In Memoriam Paulo Mendes da Rocha, a Brazilian architect and urban planner, unique in features, singular in idealizations.
Introducing - Poets of Lines!
Esse tempo que tem tanto a dizer, tantas palavras inseridas em cada traço são as formas que dão sentido ao todo, simples ou complexo, mas tudo está ali.
Os detalhes materializados fazem de cada obra um poema concedido com liberdade para descobrir, sentir e sonhar
E não importa se é morada ou outra forma projetada
Perpetua-se no tempo essa pluralidade indescritível, concebida pelo criador, alicerçada pela arte.
O belo existe para nos emocionar, evidenciando a razão através da rigidez da função e, assim, se findem à alma do poeta das linhas.
Il momento in cui ha tanto da dire è il momento della speranza. Sono così tante le parole inserite in ogni linea, sono le forme che hanno senso per il mondo intero. Semplice o complesso, ma tutto è presente.
I dettagli sono stati concretizzati hanno un po' di poema per un'opera conceduto con libertà per scoprire, interpretare e sognare
E non importa se è un luogo di residenza. O un altro progetto.
Persiste nel tempo questa pluralità inespribile progetto del creatore, ispirato dall'arte.
La bellezza esiste per entusiasmarci. Evidenziando la ragione attraverso la rigidità della funzione, così si fondono nell'anima del poeta delle linee.
El momento en que tiene mucho que decir es el momento de la esperanza. Hay demasiadas palabras insertadas en cada línea. Son formas razonables en todo el mundo. Es simple o complejo, pero todo está ahí.
Los detalles se han concretado tienen algún poema para una ópera entregado libremente descubrir, interpretar y soñar
Y no importa si es un lugar de residencia. U otro proyecto.
Eso dura mucho tiempo. Pluralidad indescriptible el proyecto del creador, inspirado por el arte.
La belleza existe para excitarnos. Haciendo hincapié en la razón mediante la rigidez de la función. Por eso se fusionan en el alma del poeta de los buenos.
Cette fois qui a tellement de choses à dire tellement de mots insérés dans chaque tiret, c'est les formes qui donnent du sens à l'ensemble, simple ou complexe mais tout est là
Le détail matérialisé ils font de chaque œuvre un poème accordé gratuitement, pour découvrir, sentir, rêver
Et ce n'est pas grave si c'est une adresse ou conçu autrement
Se perpétue avec le temps cette indicible pluralité conçu par le créateur, fondé sur l'art
Le beau existe pour nous déplacer, mettre la raison en évidence par la rigidité de la fonction et c'est ainsi qu'ils se confondent avec l'âme du poète des lignes
This time, that has so much to say, so many words inserted in each dash it's the shapes that make sense of the whole may they be simple or complex, everything is there
The materialized details make each work a poem freely granted to discover, feel and dream
And it doesn't matter if it's an home or another designed shape
That perpetuates itself in time an indescribable plurality designed by the creator, grounded by art
Beauty exists to move us, evidencing reason through the rigidity of function, merging with the soul of the poet of the lines
IN MEMORIAM
Paulo Mendes da Rocha
Paulo Mendes da Rocha became one of the most recognized Brazilian architects worldwide. Author of iconic projects such as the Brazilian Museum of Sculpture (MUBe), and the renovation of Pinacoteca de São Paulo, Paulo is commonly pointed out as a paradigmatic example of aesthetic thought. He was an important defender of the architect's social role, which he shared with his students at the Faculty of Architecture and Urbanism (FAU) from the University of São Paulo (USP).
Along with Vilanova Artigas, he launched the so-called Paulista School of Architecture, which highlighted the social and humanistic role of these professionals. He received one of the most important awards in architecture in 2006, the Pritzker Award. He leaves a legacy of masterpieces as the result of a professional practice marked by boldness and technological refinement.
